
ART
Allowing viewers to experience the nation through the first-hand lens of its own people.
Exhibition
Date:
Apr 3, 2024 – May 1, 2024
Artists:
Katya Lesiv, Katia Motyleva, Anya Tsaruk
Curator:
This group exhibition offers a nuanced and critical exploration of the experience of Ukrainian women. Specifically, it focuses on the relationships between mothers, daughters, and sisters and the significant ways in which these have been affected during the invasion of Ukraine. The exhibition highlights the work of female photographers from Ukraine who explore different aspects of intimate familial relationships between women. Katya Lesiv finds strength and empowerment during the initial days of the invasion in her motherhood experience and this deep sense of presence becomes her main source of support during that unprecedented time. Anya Tsaruk reflects on the changing family roles that ensued upon her mother’s arrival in Berlin from the war-torn country. Her work will be accompanied by an audio component of her mother singing traditional Ukrainian lullabies. Katerina Motylova’s work investigates grief, highlighting the pivotal role her sister played as a source of solace when she lost her home and parents to the occupation. These artists delve into different stages of womanhood, creating works that contrast and complement one another.
Her Presence (Womanhood in Ukraine) emphasizes the transformative journey these women have undergone and how they have been empowered as a result.
CURATOR
Alina Senchenko is a Ukrainian artist and curator living and working in Vancouver on the unceded land of Musqueam, Tsleil-Waututh, and the Squamish peoples. In 2015 she graduated from Emily Carr University of Art + Design, majoring in Photography. She has sought to explore the complexity of her immigrant identity, belonging and displacement within her own experience as well as globally. Additionally, her work deals with memory, diasporas, stereotypes, oral histories and reflection on recent events in Ukraine and around the world. She is especially interested in questioning historical narratives through the humble act of recording stories and bearing witness. Senchenko’s practice is founded in photography, with an interest in text, historical images and contemporary archives. While investigating the limitations of each medium within her work she is trying to create a layered understanding of the world around her. Recently, Senchenko developed a profound interest in film and video work which she has been incorporating into her practice.
Senchenko has exhibited locally and internationally: at 560 Gallery (Vancouver) in 2023, Canton Sardine in 2022 (Vancouver), CSA Space in 2019 (Vancouver), Rudolfstrasse 7 in 2018 (Germany), Art Platform in 2018 (Ukraine), Dynamo Art Association in 2017, PLAZA Projects 2016, Print Ready VII 2016, Project Space 2015, Vancouver Art/Book Fair 2015, Access Gallery 2014, and Square Project 2014 (Vancouver). In 2019, she received BC Arts Council Mentorship Grant with Sandra Semchuk, in 2018 she was an honourable mention in the Scorpion and Felix Book Award and was awarded a small run of her book by Publication Studio in Vancouver; in 2014 Senchenko was the finalist for the AIMIA/AGO photography prize.
Exhibition installation view
Exhibition documentation by Michael Love